The Art of Magic (and the magic of art)

“Every child is an artist. The problem is how to remain an artist once he grows up.” Pablo Picasso

Oekaki, Drawing, Children, GraffitiThat from the artist who also claimed that it took him four years to learn to paint like Raphael, but a lifetime to learn to paint like a child.  It’s a perspective that interests me.

About thirty years ago I recall a family picnic on the banks of the River Stour on the Essex-Suffolk border.  My 18 month old son (now a professional graphic artist and illustrator) seized his father’s sketchbook and pencil, stared intently at the reeds and bull rushes growing at the water’s edge, then proceeded to draw a series of vertical and near-vertical lines on the paper.  It took him seconds.  His first representational landscape drawing!  The child moved on to other ways of exploring the environment immediately.  It was as if the drawing was some kind of instinctive yet fleeting need to capture the 3D world in just two dimensions.  He didn’t, as his older siblings might have done, compare it to his father’s sketches or seek anyone’s approval or praise.  In fact he was confused by our excitement and delight.

A tiny child will not seek out the ‘right’ colours or consider shapes and ratios.  What they do, though, when you think about it, is pure magic.  They use their crayons to create the significant people and objects around them at that moment in time.  Their art freezes an aspect of the swirl of life and movement and emotion they find themselves in and places it on a flat sheet of paper.   How very different that is from our own self-conscious attempts to draw a representational image.  We are hung up on how realistic it looks, whether our lines are straight or whether the perspective is right.  Most of all, we are worried about how others will judge it.  That, I suspect, is the ‘problem’ Picasso was referring to.

“That’s a lovely picture.  Would you like to tell me about it?” we were taught to say when I was training to be a teacher.  It avoided the problems of, “What a beautiful picture of Mummy!  Oh, I see – it’s a green tractor with lots of mud, is it?  Right.”

Gradually we ‘help’ the child to fit their depictions to the conventions of art in our world.  In medieval times, drawing the mother or self far larger than other people would have been quite acceptable.  The convention was ‘important people are shown larger than less significant people’.  In our modern world the convention is photographic, so a person shown large is closer in physical space to the artist’s viewpoint than those standing further away.

Light, Effect, Light Effect, Magic LightAnd what of magic?  I would argue that this, too, is something a small child experiences and responds to in a very natural, comfortable way and trying to regain that instinctive connection to the magic inherent in their lives takes many years, once the child has been trained to put it aside.

We allow – even encourage – small children to fill their lives with magic.  We tell them of Santa Claus, the tooth fairy, the Easter bunny and read them stories or show them videos of unicorns and dragons, magicians and heroes with fantastic powers.

At some point, though – perhaps around the same time we start insisting that humans should be drawn with bodies, not just a circular head with legs and arms – we begin to teach them what is ‘real’ and what is ‘pretend’.  What many of us don’t recognise is that this is just as arbitrary and incomplete a world view as the one we are asking them to leave behind.

Magic has a strong similarity to art.  When painting and drawing we encapsulate three dimensions in two.  With magic, we bring multiple dimensions into the three that form what current convention sees as our world.  (Again, I suspect our ancestors would have viewed it quite differently.)

In the children’s story book I’ve just published, I made sure enough magic was embedded within it to at least allow my 8-12 year old audience to keep wondering.  My metaphysician (yes, of course there had to be one!) observes three members of a family who find themselves confronted with a magical ‘coincidence’ as follows:

The lady in the blue dress looked from one to the other of them – the mother, who was slowly shaking her head and muttering, “Extraordinary…”, the boy who was now clutching his cheeks and laughing with amazement and pure delight, and the small child beside her who was still young enough to understand how real magic was and therefore not surprised at all.

I’d love to think that a few children reading The Glassmaker’s Children will recognise the magic my young hero Stellan rediscovers and notice how, by using attention and intention, both he and they can find way of surviving and thriving, despite the setbacks and challenges they encounter.

Small note:  I originally set up this blog (back in 2012) as a vehicle for my metaphysical ramblings, and I’d like it to stay that way.  For that reason, I’m placing most of my posts about The Glassmaker’s Children on my Open the Box blog.  This one, for example, explains the particular challenges my two young characters face as they battle to cope with a narcissistic parent.

Dragons and Rats and Realities

Right.  This is complicated.  Before I start, there are a few bits of background you’ll need:

  • For those who don’t know, I spend a fair bit of my time making steampunk miniatures.  Recently I have been making ‘time dragons’ – an ecclectic mix of papier maché, modelling clay, old watch parts, intention and creativity.
  • Steampunk, for those not familiar with the term, is an imaginary retro-futuristic existence, something like the sci-fi worlds created by HG Wells and Jules Verne.
  • As well as this, my metaphysical pondering blog, I also write one called Steampunk-Shrunk, which contains whimsical back stories about the models I make.
  • Finally, you need to know that I live in an end terrace cottage and my neighbour has recently had a problem with rats in her loft, so her landlord called in pest control.

OK.  Now for what happened.  I’ll try to put it in chronological order, but I suspect time is somehow absent from parts of it.

As I said, I’d made these strange model dragons.  It was fun.  I then wrote a rather dark little story about them to publish on my other blog.  It said that they formed out of the rubbish that collects in corners and crannies of steampunk inventors’ workshops, coalesced into living creatures and flew away to inhabit caves in an undiscovered canyon, where they had started to breed.  (If anyone wants to check the story, it’s here, but there’s no need to unless you’re so inclined.)

The following day, the pest control man came.  I heard him chatting to my neighbour in our shared entrance hall, heard him head upstairs and wished he could have been some magical pied piper … but rats are rats.  I’d had them in my roof a few years back, heard them gnawing purposefully at who-knows-what and although there is a fire wall up there between the two lofts, I’d recently heard the occasional brief scuttle above my bedroom, so I wasn’t sorry to hear that they were being dealt with.

That night I went to bed.  I’d been going through one of my frequent spells of insomnia, so was not really surprised to find I was still awake at 3.10 in the morning.  Having looked at the clock, I sighed, turned over yet again, and tried to lie still.

Then quite suddenly I found myself sitting on my sofa downstairs.  I was surprised, mainly, and disorientated.  What was I doing here?  How had I got here?  Was it real?  I checked the sofa.  Yes, definitely mine.  The colours of the fabric were the same, I could feel the cushions against my body.  This still surprised me.  I couldn’t work out what had happened to propel me here.  My coffee table was just in front of me, in its accustomed position, yet something was wrong.  I felt – I honestly did – as if I’d entered some place that was and yet wasn’t in my home.

The room was fairly dark; not (now I think about it) as dark as it should have been in the middle of the night, but there was a dimness about the whole place, as if space acted slightly differently here.  The rest of the room should have been visible, but I was only aware of this one area.  And yes, there was a difference – my model time dragons were under the corner of the coffee table, which is definitely not where I had put them.

As soon as I became aware of the dragons, I noticed that they were moving.  That was WRONG.  Now I was genuinely scared.  They were making a scuffling sound and suddenly, as if at some unseen signal, they erupted into the room, scuttling and flying outwards and upwards in all directions.

Cute, Rodent, Mouse, Small, AnimalImmediately I was back in my bed, eyes wide, heart pumping and body shaking.  A split second later, in the loft space above my head, there was a stampede of rats.  There must have been at least five or six of them.  I heard them race across from one side to the other.  Then silence again.

 

So what was that all about?

Yes, the most ‘rational’ explanation is that I’d finally fallen asleep for a few moments and the scuffling of the rats had woken me.  In my dream state their noise had become the noise of my dragons taking flight.  I’d then heard the rats running.

A few things didn’t fit, though.  Why was I so disorientated if I was dreaming?  We normally accept whatever reality we encounter in dreams quite comfortably.  Even before I noticed those dragons (and yes, as it happens they are roughly rat-sized) I felt uncomfortable, as if I’d strayed into one of those many-worlds/ alternate realities.

So now I’m left wondering.  Was it ‘just a dream’ or had I strayed – or been taken – into some alternate world where my ‘words became flesh’, so to speak?  Is there a reality out there now, in amongst all that strange dark matter, where my little dragons have indeed taken on an existence of their own?  Did I pay that world a fleeting visit, just to discover how ‘creative’ I really am?  Did (as my guides are suggesting) the same psychological trigger event occur in both worlds, causing the time dragons and poisoned rats to erupt into a frenzied movement at the same moment?

The time dragons here are quite inanimate now and so too, it seems, are the rats in the loft.  Strange, though, and interesting to ponder…

 

Loved

Looking at it from a purely personal and intensely human perspective, what I really didn’t need, after the agonies of the past year, was for another horrible, heartbreaking tragedy to affect one of my children.

He’d had a tough few years, with broken trust and unrequited love and affection and then the pain of watching his sister, nephew and niece go through all they’ve been through and by mid summer, he was deep in the abyss of anxiety and depression.  He worked so hard to pull himself out – therapy, counselling, even meds, when all else seemed to be failing.  Then he announced that he’d found a solution.  He would get a cat.

Now we’ve not been a pet-owning family.  There was the rabbit, when they were kids, but none of them took much notice of it, once the novelty had worn off, and it was left to me to care for it.  Still, he was set on this plan and duly acquired the most adorable little kitten.  He lavished money and endless affection on the little scrap and the kitten adored him back.  The pain and darkness left my son’s eyes and he positively quivered with the love he felt for his tiny pet.  We all remarked on the change it had made to his life.  The urge to care for something small and helpless was so strong in him – the parenting urge, if you like – that, once it was fulfilled, he threw himself back into his job and his life again and was the happy, resilient young man he’d been before.

Was there some seed of doubt and concern lurking just below the surface in my mind?  I watched them playing together and thought, “Oh I just hope that cat lasts a long, long time.  He’s such a central part of my boy’s life.”  But as I thought it and willed it to happen, I couldn’t visualise it.  I couldn’t see the kitten as an adult cat and the two of them moving together into a contented middle age.  That was the seed of worry that wouldn’t go away.

Then, last week, my son called to say the kitten wasn’t well and seemed to have some sort of infection.  The vet gave antibiotics, but was concerned enough to do a blood test.  Each day my son would phone me, saying some new problem had emerged; the cat was losing weight rapidly.  It culminated in an emergency night-time dash to a specialist vet hospital, many miles away, where he was told the infection was a deadly virus that was destroying one organ after another.  My son said goodbye to his kitten – only five months old – and embarked on the long journey home by himself.

While the brief illness lasted, I’d begged friends to send prayers, healing and positive, healthy thoughts to my son’s pet.  I’d tried so hard myself.  I worked and worked to visualise the cat healthy, the cat fully grown, the cat alive, but the pictures wouldn’t come.  All I could see was the little kitten, skinny and with huge, wide eyes.  I believe, one hundred percent, that we can affect the future.  It isn’t set in stone.  There are myriad possible outcomes for every situation.  With sufficient focus, we can nudge towards a better-feeling future.  So why, having managed similar things so many times in the past, could I, and all those working with us, not encourage this little creature to live?  Is it that some ‘probable futures’ are just so improbable – like the cat growing wings or learning to play cricket – that we can’t move into them, and an adult life for this kitten was one of those?

I asked my Guides and was told there had been a ‘contract’ between the man and kitten.  It had come into his life to show him that he is loveable and utterly deserving of love.  I asked why that very happy and beneficial set-up couldn’t have lasted longer and the short, brutal response was that it had been achieved and the cat’s job was done.  Now, I was assured, my son would be able to recognise and feel and accept the waves of love that would come to him from others in his life.

I’m trying to take comfort from that.  Maybe my boy is, too.  But it still feels so harsh, so cruel.  Now I’m working on visualising a happy, fulfilled and love-fulled life for this very special young man.  Join me.

 

Musing in Miniature

This isn’t a covert way of publicising my tiny cottage industry.  You’d need to head over to my other blog for that.  It’s just that most of my days at the moment are spent transforming, upcycling and creating tiny objects of various kinds from what most people would regard as junk, and it gives me an absurd amount of joy and satisfaction.

reject purchaseBack in the summer, I picked up this little 12th scale (that’s one inch to one foot) figure from a reject box at a miniatures fair.

Not difficult to see why he was a reject.  He wasn’t, at first sight, the most promising of specimens, with his vacant stare, twisted legs and stringy hair, but I knew his day would come!

In some strange way, discovering the hidden potential in what others consider rejects is what has always given me the greatest pleasure.  I remember the scruffy, fidgety boy I once taught who auditioned for a part in our school production of Joseph and the Amazing Technicolour Dreamcoat.  I remember my pure delight as the clearest, most beautiful voice drifted across the room.  The head teacher and I glanced at each other and smiled – Joseph!  True, he took up many, many hours of rehearsals – far more than one of the bright young hopefuls who had expected the part would have done.  True, I had to tape the complicated words of Close Every Door to Me to the floor of his prison cell, because he’d never have learnt them, but it worked perfectly and the pleasure of watching that kid revel in his hour or two of fame has stayed with me forever.

It was the same with the shy, quiet, dumpy little girl who produced a beautiful piece of writing.  Before I handed back the class’s work, I read out this one piece and they were all staring round the room, wondering who had written it, mouthing, ‘You?’ to the high fliers and looking puzzled.  That simple act, and then handing the work back to the young author with the words, ‘Superb work – well done’, was enough to raise that child’s self-esteem and status within the class to a ridiculous degree.

upcycled doll by Jan StoneSadly, my little porcelain doll had no esteem for me to raise, but when I decided I wanted to make a replica of one of my idols – Nikola Tesla – he was the one I chose.  I looked beyond his defects to the long face, the high cheekbones, the firm chin and the centre-parted hair.  The face was removed as easily as a spot of nail varnish and painted anew, the hair was cut, styled and recoloured.  A tiny shirt, trousers and jacket were cut out and hand stitched.  The dodgy leg was re-wired and, once dressed, Mr Tesla looked as proud as a small piece of porcelain, foam and wire could hope to.

room box by Jan StoneAnd now, when I look at him sitting calmly in his experimental station, gazing at the coils and equipment I’ve been patiently wrapping in copper wire all week, I feel proud too!

This is what we all do – take something rough and unfinished and inject enough energy into it to allow it to transform it into something so much better.

 

A Man Who Looks on Glass

All those decades ago, when I was in primary school and singing along to rather dreary hymns in assembly, the words of one verse hit me as fascinating.  I think it went more or less like this:

A man who looks on glass
On it may stay his eye,
Or if he pleaseth through it pass,
The Heavens to espy.

Quite why ‘the Heavens’ should be lurking behind each pane of glass this man looked on, I wasn’t sure, but that property of glass – the way we are able to focus on its surface or to peer right through it to what lies beyond – stayed lodged in my mind as one of those Interesting Things about the world.

One of my favourite stories as a child was Through the Looking Glass, and What Alice Found There.  I could easily imagine her drawing-room mirror misting over, becoming treacle-like in consistency and Alice clambering excitedly into the looking-glass house beyond.  The fascination stayed with me, and when I settled recently to write a story, I decided to make one of the principal and most complex characters a glass maker.

Glass Float Handmade Blowing Craft MoltenObviously a bit of research was in order.  I’d been to visit a glass works and watched in awe as glowing globs of molten glass were removed from the furnace on long pipes and blown into huge, wobbling bubbles, ready to be shaped into all manner of marvels.  I knew it was made from sand and soda and various other substances, but I wanted some detail on the alchemy involved.

This is what I discovered.  Maybe you already knew it.  Maybe you had the kind of science teacher who moved beyond the dogma of solids, liquids and gases and explained such wonders to you.  To me, though, it was a revelation…

Sand is heated up and becomes liquid.  It transforms into glass.  This is an irreversible chemical change.  When the molten glass is removed from the heat source, it begins to solidify, but it never quite does so.

Glass, Structure, Abstract, Modern, ArtThat was the part that amazed me.  Glass is not a true solid!  It’s what is known as an amorphous solid, which means it is in the process of solidifying, but still has the properties of a very viscous liquid.  Scientists conjecture, it seems, about whether the cooled (and apparently solid-feeling) glass will ever complete that transformation – whether its molecules will every crystallise into a true solid.  The best guess seems to be that the process would take a very long time – longer than centuries.  Meanwhile, small groups of molecules within the glass are acting like parts of a solid, while others are still behaving as parts of a liquid.  They seem to slither and slide in and out of the two states without (if I can, for a moment, embue them with higher levels of sentience than we normally do) really making up their minds.

Now all that, I think, is rather astonishing.

For me, though, the most amazing part of my discovery is the way these characteristics mirror, if you’ll excuse the pun, the personality of my not-entirely-fictional glass maker.  The man I wanted to portray is a complex individual.  In many ways, he comes across as a normal, functional, middle-aged father.  There are facets of his behaviour, though, that entirely lack the solidity and dependability of such a person.  He is, in some respects, locked in the kind of volatility, fluctuating moods and emotional instability we would more normally associate with the most troubling aspects of adolescence.  If you can imagine the contents of a chrysalis, after the caterpillar’s molecules have liquified but before they have fully re-formed into the adult butterfly (a process I often used as an analogy for my poor, confused young pupils as they reached puberty and tried to fathom what was happening to themselves) that is the state of this character’s psyche.

Flower Honey Nutrition Eat Liquid Yellow EWithout knowing that such a state existed, I was writing about a man of amorphous solidity.  My character slithers, in a more or less involuntary manner, between thoughtful, rational behaviour and a devastating capriciousness and lack of clarity or consideration.  He brings down havoc and disaster upon himself and those around him and – even when all is lost – he is unable, for more than a few moments at a time, to take responsibility for all that has transpired.  Like those glass molecules, his thoughts waver and vaccilate constantly between states and refuse to settle.

How intriguing that my ever-present muse should lead me on this alchemical journey, in order to assist me in comprehending the complexities of the Glass Maker’s personality.

 

 

Your point being…?

Another of those long, rambling conversations I tend to have with Life, usually around 3am.

I’m saying something along the lines of, “So you’ve thrown just about everything at me this year, turned me upside down, inside out and catapulted me from highs to lows and back again.  Could you just run me through the purpose for all that one more time?”

And Life sits there, smiling calmly and replies, “Do you need to have a purpose?”

That pulled me up sharp.

Do I?

It’s a huge, broad, sweeping question, isn’t it?  For me, it touched a raw nerve.  I’m a people pleaser – the sort who always feels happiest when I’m making things better for other people.  It’s what I’ve always done.  That’s been The Purpose.  This year more than most, I’ve been on a mission to do just that.

Oh yes, before anyone feels the need to throw in that ‘love yourself’ maxim, let me assure them that I’ve done the work on that one too.  Took me quite a few decades and the help of a very skilled life coach to get there, but I do now always add my needs into the equation.  Despite that, though, I’m at my best when I’m working flat out to sort out a difficult problem and make life better for someone dear to me.

Such work has totally consumed me since February.  And now – uh – my work is done.  Yesterday I found the vision board I’d drawn back in the spring.  It showed my little family safe in a new home, reunited with all their possessions, after having had to flee for their lives, settled and smiling and happy again most of the time with a comfortable house and tidy garden to enjoy and new friends calling round to visit.

Image may contain: plant and outdoorImage may contain: people sitting, plant, tree, outdoor and natureAlmost single-handedly, and while helping to heal some of the emotional pains and fears of three traumatised people, I’ve transformed their garden from this… to this.  Even finished it on my daughter’s birthday!

So now what?  Is Life about to hurl me headlong into some new drama, so that I can once more prove my own worth and stamina to myself?  I suspect not.  I suspect that I’ve brought myself to this point so that I can stop and wonder whether I need to have a purpose.

Is just being enough?

 

 

Equinoxing

Equinox Sun Moon Landscape Mystical CloudsI revel in the magic and symmetry of the equinoxes – those two occasions in the year when darkness and light occur in absolutely equal quantities.  They mark a shift, a subtle but important tipping point in the year.  Here in England, the Autumn Equinox that falls today is the time when we shift from more-light-than-dark to the reverse.  From tomorrow onwards the days will be shorter and the nights longer.  They won’t equal out again until next March, when the spring equinox heralds the start of the long summer days to follow.

And so, today, I find myself equinoxing – pondering the wonder and timefull/timelessness of this seasonal ebb and flow and the perfection of this perfectly poised day when neither night nor day holds sway.

For me, the six months since the last equinox has been a time of special significance.  In late March, I was packing my bags to move across the country to be with my child and grandchildren at a time of great need.  Now I’m starting to pack again, ready to leave them in their new home and return to my own home in beautiful Somerset.

Here in the East, life simply goes on from day to day.  Few people remark on the changes beyond a shake of the head and a comment on how the nights are drawing in.  Back in Glastonbury there is no shortage of people wishing to mark each nuance of the natural year – from robed and garlanded goddesses, through drum-bangers, chanters and pipers to those who will joyfully strip off and cavort in the buff around sacred groves and hills.

Me?  I’m somewhere between the two.  Equinox is a time to stop, to take stock, to consider the lessons, blessings and memories of the past six months, when Summer ruled.  It’s a time, too, to contemplate the darker months that lie ahead; long evenings curled up beside the log burner with candles twinkling and a good book, peace and quiet after the frenzied activity of the summer and a chance to dream myself into the next phase of this amazing little drama that is my current ‘life’.

Equinox greetings and blessings to all.

 

An Open Letter to The Universe

Dear Universe,

Here we are then – another morning, another day in the Life.  Let’s decide how this one is going to go.

I have to give you credit.  I opted into this particular Lifetime in order to expand and learn through experiences and requested from you that I should have some, er, interesting scenarios to work through in order to achieve that.  You, dear Universe, certainly delivered.

Here I am in the middle of one of them.  It’s arguably the most complex, challenging and painful of the lot.  Am I learning from it?  Certainly.  Is it allowing me to expand my consciousness and understanding?  I suppose it must be.  Am I flailing about, totally out of my depth and panicking for much of the time?  Definitely.

So back to basics for a moment.  Life does not happen to me; I happen to Life.  It’s very easy to forget that when I’m in the middle of a Life drama.  It’s easy to sink into victimhood and wallow about there yelling, “This isn’t fair!  This isn’t my fault!  Someone else caused all these problems.  I didn’t choose them.”

Woman Desperate Sad Tears Cry Depression MWell no, in everyday terms I would never have chosen to have people I love suffer what they are going through.  It is all too easy to blame the perpetrators.  If those people hadn’t done those things, Life wouldn’t be this way.  If those people hadn’t done those things, I wouldn’t be here, having to deal with the fallout, day after day.  If those people hadn’t done those things… something else would have shown up in my Life to allow me to learn and expand and find ways of dealing with the issues here, because that’s what I asked for when I began this Lifetime, and that is true for everyone involved.

So let’s dispense with all the victimhood and blame and anger – the easy stuff – and move on to happening to my Life.

This is what I’m learning, you see, Universe.  You’ve given me some real humdingers to deal with in the past and I’ve often seen myself or – worse yet – people I care about, suffering, and been willing to blame others for that.  It is hugely difficult to see that every single individual concerned acted from what he or she considered to be a reasonable or practical perspective.  They each carried out what they considered to be the best or most expedient response to a difficult situation.  It’s not my task to question their actions or to blame them.  It’s my task to take steps forward and move myself and my loved ones into a safer, more secure and comfortable situation.

My little family – the woman, the child and the toddler – are in a safe, though temporary, home.  We are making plans to move them into a relatively safe and secure permanent home.  We are taking steps to make that permanent home safer and more secure, but that is still not reaching to the nub of it.  Security devices, high fences and locked gates may help to protect against physical intruders, may help to make people whose previous home has been violated, whose lives have been threatened, whose trust has been destroyed feel slightly better, but the real work is to build up inner protection.

Tunnel, LightEach of them is traumatised.
The smallest is terrified by loud noises, raised voices or passers by who remind her in some way of the ‘bad men’.
The child has just built himself a dreamcatcher – a wooden pop gun beside his bed that ‘shoots’ nightmares into a hoop, from which they are projected into a baked bean tin across the room.  For him this is serious work – serious self preservation.
For the mother, who seeks to protect and nurture the little ones while dealing with her own loss, grief and traumatic stress, there is a long, slow and painful journey.  I can see the glimmerings of a stronger, wiser, truer woman emerging.  I can see tiny steps towards the rebuilding of shattered self confidence.  I can see a brighter, clearer future that far surpasses the web of lies and deceit that were lurking and waiting to sabotage the past.

My task is to hold that image and project it to you, Universe, because then you will mirror it back to us.

Yours in love and gratitude,

Jan

 

 

Warning: Incorrigible Optimist At Work

You saw it coming, didn’t you?  Some of you even commented on it…

What do you get when you stick an incorrigible optimist in the bleakest and most desperate situation anyone could imagine?

Fantasy, Clock, Statue, Light, SpiralMagic – that’s what.

Only we know, don’t we, that it isn’t magic at all – it’s natural.  It’s the way life really can be.  It’s far, far more natural than cause and effect, far more natural than coincidence or random chance, far more natural – I’ve recently discovered – than synchronicity, even.

So, taking a deep breath, I’m going to say it:

There is no such thing as objective reality.

Certainly there IS such a thing as default reality.  That’s where almost everyone lives for the majority of their human life.  It’s the way Life goes when people believe they can do nothing about what happens, because it happens TO them.  It seems so self-evident and relentless that many people never dream that they can escape the tyrany of Fate, Luck, Chance or whatever deity they hold responsible for the events that go on around them.  Grimly and doggedly they struggle on through Life at default setting, feeling cheered when things go well and depressed or angry when they go wrong, but never thinking for a moment that they could take responsiblity for these events – far less that they could choose and affect the outcome.

There are others, though, whose lives turn out very differently.  There are those (and I’ve had many amongst my family and acquaintances) who expect things to go wrong, expect to be cheated, disappointed, short-changed and beset by inconveniences.  Sure enough, Life delivers.  They are not surprised.  They expected nothing more.

At the other extreme there are the optimists – those who expect that, regardless of setbacks, Life will turn out well and they will find something great and precious emerging from every situation.  They expect nothing less.

I’m one of the latter group.  Not every day and in every moment of course.  There are times when I can rail against my fate with the best of them, but it only takes a little nudge from a caring friend or a tiny synchronicity for me to remember, “Hey, yes, I’ve got this covered; I can choose how it works out.  I can learn something valuable from it.  Let me just think for a sec about why it turned up in my Life at this point.”

That’s what I’ve been doing this last week or two.

Certainly, some of the issues I’ve been dealing with have been serious and life-changing, but the example I’m going to give is of a much lighter kind – just to give any doubters amongst my readership confidence to start by choosing outcomes for the small stuff before building up to bigger and better things.

Sunglasses Glasses Fashion Style Summer HoA week ago I lost my sunglasses.  They were prescription lenses, as I’m quite short-sighted, and designer frames, so replacing them would have been costly.  I was irritated, naturally.  I searched everywhere I’d been and wondered where they could have gone missing.  What I didn’t do was to give them up for lost.  I maintained a conviction that they and I would be reunited.

Yesterday afternoon, I had a phone call from a staff member at some beautiful gardens I’d visited on the day the glasses disappeared.  I’d first noticed they were missing as I’d got out of the car when we arrived, so hadn’t been wearing them on my visit.  The other relevant fact is that I’d loved the gardens so much that I’d bought a season ticket, filling in a form with all my contact details.

“Is that Jan?” asked a cheery voice.  “I think I’ve found your sunglasses!”
I was stunned for a moment. “Well I have lost them,” I said.
“I KNEW it!” she squealed triumphantly. “I just KNEW they belonged to you. Describe them for me.”
I did so and – naturally – they were mine.
“But how did you know they belonged to me,” I asked. “The only name on them is Ted Baker’s!”
There was a slight pause before she responded, “I don’t know. I just looked at them and a sudden inspiration came to me that they must belong to you. I remembered you buying the season ticket and I knew they had to be yours.”

 

I’m happy to say that the important issues are changing too.  Since I arrived in my new temporary abode to support my family, one thing after another has slotted neatly into place.  My daughter is now also a believer in manifesting a great future and together we are planning and choosing each next positive step along the road to recovery and towards building a new, happy life for her and her children.  Still a long way to go, but all will be well … because that is what we have chosen.

In case anyone who reads this would like some specific help in manifesting change in their lives, I’d like to add a link to the wonderful words that helped us climb out of the abyss in our darkest hour and allowed us to move forward: Cheryl’s Prayer of Choices.

There is also a children’s version which I worked on with Cheryl here.

 

Am I where I want to be?

Yesterday someone sent me an email.  If the photo the sender attached was to be believed, it was a smart, squeaky-clean young American.  He told me I’d been accepted as a member of an organisation called the Association of Spiritual Writers or some such.  Can’t remember the exact wording, as I deleted it pretty quick.

For a start, I hadn’t applied to join any such group.  For an end, he quickly moved into an unabashed sales patter, telling me that in order to get top price ticket sales at my talks, I needed to enrol on his training course, which would maximise my earnings.

Sorry to disappoint you, young Sir, but I have not the slightest interest in making money from spiritual writing or talking.  Sharing ideas, having dialogues, learning and discovering, yes – those things are hugely important to me, but that’s where it stops.

It made me think, though.  Do I have what I want now, in the autumn of my life?  And the answer seems to be that yes, I do.

I own a very small, sweet, though slightly damp and crumbly, old cottage in a beautiful part of England.  I get enough money from my pension to pay the bills and live each month and although I don’t run a car, have expensive holidays or buy luxury items, I have all I need to be comfortable and to give a little to charities I care about.

I still do some private tutoring, charging less by the hour than I pay a handyman to chop and stack my logs.  I’m fine with that, too.  I do it because teaching was my first love and I enjoy keeping contact with it and helping children who would otherwise be struggling.

I spend vast amounts of time making 1/12 scale miniature figures and room settings by upcycling mass produced and junk items.  It’s a brilliant hobby for me.  I can be creative, inventive and gloriously messy.  It involves constant problem-solving that keeps my mind active.
People say, “You must have such patience,” but for me it’s a kind of meditation.  I do my deepest meditating when I’m hand-stitching a minuscule white shirt or sticking tiny tufts of hair on to a wig base.
I display and sell the fruits of my labour at craft sales, get smiles and lovely comments and have fascinating conversations all day.  I make modest amounts of money – which I pass on to my son and his partner, as they are saving up for a deposit on their first home.

Strangely, at almost every sale I’m approached by some smartly dressed young man who eagerly tells me how I could make masses more money from my crafting by doing this on Instagram or that on You Tube.  I smile, thank them politely and carry on doing what I do.

I’ll happily trade the lack of stress, deadlines and problems for the lack of wealth and material goods.  I’m happy, I’m still learning every day and I have a wonderful life.